Sprawled across the seat of the small rocker is an
adorable plush brown doggy. At the base
of the rocker you see a beach bucket, its treasures emptied out onto the porch
floor: sea shells (clam, mostly, but also a few periwinkles), sand and, if you
look very carefully, a shiny penny washed by the ocean.
And, everywhere there are flowers. One side of the porch has as its border an
ornate, rectangular planter overflowing with purple flowers. Two round planters
hold other annuals, including one with a cascade of gray foliage falling below
the lip of the porch. A terracotta sign
in one of the pots says ‘Bees Please’.
Behind these objects is a peek at the house: light
gray siding and white trim. A classic
New England style. There’s the lower
part of a window, but it’s too dark to make out anything inside.
A few feet from the porch, a four- or five-year-old
girl, explains the scene to her mother.
“The little girl was down at the beach and has come back to sort her
shells. They’ve had something to drink
and her grandmother has promised to read to her, but they’ve gone inside to
take a nap.”
The little girl is probably too young to read the
small sign at the edge of the porch: August at my Grandma’s cottage, but I
couldn’t have described it better myself.
Mother and daughter then walk a few steps to admire the floral designs
and the horticulture while, fifty feet away outside the barn doors, there’s
bright sunshine and a fair going on.
My lone disappointment is that they didn’t pause to
look at the blue ribbon appended to the scene and the name underneath it: mine.
Roni Lehage |
There, she pressed the 2018 Marshfield Fair schedule
into my hand and said, “You are going to enter this year.” There may have been a nominal question mark
at the end of that statement, but what I heard was more or less a command. I pored over the schedule and found an
interesting competition: ‘The Front Porch’
A 4’ x 8’ vignette’. No other
specifications or conditions. How hard
could that be? It even carried a cash
prize! I signed up.
I can honestly state that I started thinking about my
vignette almost immediately. I wanted a
backdrop of an actual house. I wanted to
tell a story with objects. It shouldn’t
be cluttered. It should have container
gardens filled with flowers.
My problem was I didn’t have any of those things. Sure, Betty would plant up containers in May
and I could nudge a few smaller ones into the production line. Everything else would have to be scrounged or
borrowed.
Fortunately, Medfield is blessed with a ‘swap meet’ at
its Transfer Station. People bring
stuff that’s too good to throw away with the hopes of those objects finding a
new home. Betty and I became habitués of
the three-day-a-week meet when it opened in May, looking for cast-off
treasures. They slowly accumulated: the
child’s rocker, a cute sippy cup. Betty
planted up more containers than she had otherwise planned and I watched them
grow.
In mid-July I began tackling the backdrop. There was no requirement for one, but I felt that, without it, my ‘stage’ would
look empty. I purchased lumber and a
4’x10’ piece of heavy muslin cloth... and discovered I knew nothing about
painting a backdrop. Betty, who has
theater in her collegiate background, walked me through the process of priming
the canvas. I discovered many
interesting things along the way, including that muslin shrinks when
painted. I would guess I spent two weeks
creating that simple panel. I was
disappointed in the look of the siding and so purchased gray artist’s chalk to
create shadows and depth.
The mock-up in front of the garage |
When it was done, I discovered it would never fit into
a Prius. I would have to disassemble it
at home and quickly re-assemble it in Marshfield. Another learning curve to master.
At the beginning of August, the perfect ‘adult’ rocker
appeared at the swap meet along with the plush doggy. A neighbor supplied beach toys; we combed our
paperback shelves for the right volumes.
I staged the vignette in our basement, rearranging elements with Betty
as helpful critic. The final dress rehearsal, with container gardens, was held en plein aire against our garage.
Every artist ought to have the opportunity to sign his
or her work, and so I appended mine. If
you look carefully at the stack of books on the table, between Elizabeth Peters
and Dorothy Sayers, there is a copy of A
Murder at the Flower Show by yours truly.